July 19, 2008

Outhouse: Real World meets Red Hook

Last Thursday, it was so hot out that our brains were sweating. My friend Jim and I finished off a session of catchup over a couple cold ones and headed across the BQE to Red Hook for a couple more. As we crossed over the BQE on Sackett St., Jim remarked how he always wondered, while driving, who all those strange people were who crossed the BQE. Aside from hordes of Hasidic Jews, and the occasional sunbather, I couldn’t distinctly remember anybody else crossing the BQE. Ironically, I was wearing a black Fedora and could have easily been mistaken for an orthodox man of religion.

We strolled down Van Brunt and arrived at the Bait and Tackle bar. As I popped my head in, the owner apologetically stated that they weren’t open yet. ” Five minutes, once the bartender wakes up,” she said. We apparently didn’t have five minutes to spare for a cold one as we hopped next door to the friendly quarters of the Brooklyn Ice House.

Happy hour at the Ice House is nothing short of extraordinary. Not only can you drink cheaply, $2 Miller High Lifes, a Steveadore special (PBR and a shot of Rye 4 bucks) but you can chow on pulled pork sandwiches (2 for $5) or the surprisingly good homemade salsa and chips. Really, go there if you’re ever get stranded on a cruise ship or you’re part of the new season of, you guessed it, the real world! Horrible, isnt’ it?

You can complain all you want about Red Hook being invaded by corporate America personified by Fairway and Ikea, which looms in the distance of Van Brunt St. like Count Dracula’s castle; sucking out the blood of another classic Brooklyn neighborhood. But these places do provide jobs for thousands of people.

But what does the Real World provide a community besides seven strangers living in a house who stop being polite and start having sex with each other in a hot tub? Not much else.

We stumbled back to the Bait and Tackle bar to have another. The owner was pleased to see we had come back and in the hands of the bartender rested a piece of white paper with lots of fine print.

” It’s a confidentiality agreement,” he told us.

” Stick it on the Juke box,” somebody replied.

” Better yet, on the front door.”

” Yeah, that will show them.”

” There’s no fudging way I’m signing this,” the bartender said paying more attention to his cross word puzzle than the Viacom document.

Everybody had something to say about it except for one peacefully inebriated patron who was comatose at the bar.

Jim and I didn’t say much. I understood the procedure, working in television. Jim was just pleased to be a wall flower; staying quiet and enjoying the spectacle at hand.

” You know, I bet those girls would really go for a 42 year old NYC Parks attendant.They wouldn’t know what him ‘em”

” Yeah, this could be good for you man,” the bartender quipped.

We finished our beers and took off somewhat suddenly. We walked a couple blocks, felt around in our pockets and realized we could combine for two more Steveadors at Ice House. The bartender remembered us from earlier, sat us down at a booth and told the server to bring us some more salsa. The server brought the salsa to the wrong table and I could tell Jim was a bit irritated. She noticed and brought us more immediately. Jim was delighted.

” Thank you,” he said. ” It’s so good.”

What could the Real World possibly want with Red Hook? Are they trying to recapture the gritty New York feel of Real World Season 1? Where will they go to do body shots of Jagermeister out of each others belly buttons? Who are they going to fight outside of the bar after they have done said body shots? Perhaps the members of Clap your hands and say Yeah? Or possibly a disgruntled mom who cannot carry her vase home from the Garden Center? Sounds like amazing television.

Jim enlightened me.

” You know, all these people working at these bars could think we’re in on it.”

” You mean, working on the show?” I said.

” No, on it.”

We had never really hung around Red Hook that much. In fact, the bartender at Bait and Tackle eyed us as we left. Could he have thought we were part of the Real World gang?

” Come on, we don’t fit those stereotypes.”

” Yeah we do. Look at you. Beard, fedora. You’re the cool hipster type. Then there’s me. Quiet. Glasses. Tight white t-shirt on…”

” Gay guy,” I said.

” Yup.”

Could we really be making these stereotypes? The Real World isn’t that predictable is it? I wish I could devote more time, psychologically, to the clash of race, class and sexuality that happens on the show. But it’s just not worth it. My brain was sweating as it was.

I dimissed the idea and continued eating my salsa. Then, something caught my eye. The bartender was leaning over a piece of white paper with very fine print on it.

” Jim, check it out.” I said.

” It’s the confidentiality agreement.”

” They must be giving it out to all the bars on Van Brunt.”

We continued to look, hunched over, hiding behind out beers as to not look suspicious.

” She’s taking out her pen.”

” She’s going to sign.”

” Oh my god, this is amazing.” Jim said.

Drool dribbled down our mouths, astounded or just slightly drunk, at the events that had transpired over the past 30 minutes.

” She just signed,” I mumbled, covering my mouth as to not be heard by a lip reader.

We continued to stare until she glanced over at us, like a red fox spotting a baby Meerkat, and quickly folded the piece of paper, tucking it to her side. A driblit of fear dripped from my sweaty brain into my empty can of PBR.

” So, you wanna go?” Jim firmly suggested.

” I think that would be best.”

February 25, 2008

Art House: Andrew Adolphus (the best Dad a music video can have)

On a recent visit of his to Manhattan, Andrew Adolphus invited me to a Moroccan restaurant on 72nd and Central Park West which resembled a set from ‘Raiders of the Lost Ark.’ His friend, Jordan, even had a Karen Allen appeal to her. Throughout our conversation I thought, at any moment, she’d swig a shot of Wild Turkey and challenge me to one up her.

But there was no ancient African, solid-gold head hidden under our seat cushion, or a sadistic four eyed Nazi ready to burst through the window and rip out our still beating hearts. We were there to discuss martinis, music and most importantly, editing.

” Editing,” Andrew said between bites of Spanakopita, “is like raising a kid. You have to nurture it, bit by bit, until it grows into something of it’s own.” He nudges his glasses up to bridge of his narrow nose. ” Not that I have kids, but I could imagine.”

Andrew is an award winning editor from Canada who has worked on over 100 music videos, several television series, narrative and documentary films. Recently, Andrew edited the documentary ‘ Rush: The Game of Snakes and Arrows’; a groundbreaking first time portrayal of the Canadian progressive rock band fronted by bassist, Geddy Lee.

Andrew started editing music at age 14 and played drums growing up. Since his first paying gig, an EPK for the Canadian band ‘I, Mother Earth’, Andrew has applied his love of music to every project he’s taken on; from conception to birth.

” Editing and composing a piece of music are similar. When you compose, a songwriter uses notes to tell a story and evoke a certain emotion. Editors do the same, but with images.”

central.jpg

Many editors, unlike Andrew, will attach a song to their timeline in Avid or Final Cut, two popular editing platforms, to establish a sense of rhythm when making cuts. But much like a filmmaker or writer uses music to inspire a scene, Andrew uses music to motivate a cut; injecting the footage with an emotion separate from it’s preexisting mood. By doing this, a scene can end up even more remarkable than the director had intended.

Mr. Adolphus is an editor who understands and exploits the manipulative qualities music has on an audience. But he’d be the first to tell you that a tear from the audience starts with a lump in the throat of the creator.

Raised and schooled in Canada, Andrew aspires to soon move to New York where there are more opportunities to edit in different, quality, genres. ” Genre,” as Andrew stressed, “is never as important as the end result.”

As the lead editor for ‘Party Mommas’ now airing on WE in the U.S, Andrew received a Gemini Nomination (much like the American Emmy’s) for Best Editing.

” Party Mamma’s is a lot like ‘My Super Sweet 16′,” he concludes, “Only more Canadian…or slightly French.”

I left Andrew to finish his meal with the Kate Allen look alike. We shook hands and exchanged information for his next visit to New York. I pushed through the velvet curtains, past the candle lit stone alley, and up the moist steps to the street level where, instead of finding Camel drawn carriages, yellow cabs were occupied for blocks on end.

* *

Below are links to Andrew’s work on Youtube.

golden dogs “never meant any harm”
http://www.youtube.com/watch?v=NI7odVzpckk

raptile feat. xzibit “make y’all bounce”
http://www.youtube.com/watch?v=7mB_CHjk-xY

sarah slean “lucky me”
http://www.youtube.com/watch?v=V3b5eSUbYjQ

classified “find out”
http://www.youtube.com/watch?v=raWZCJNKWvc

classified “no mistakes”
http://www.youtube.com/watch?v=-369pUBb-ag

death from above 1979 “romantic rights”
http://www.youtube.com/watch?v=tzNrYRqH35Q

death from above 1979 “blood on our hands”
http://www.youtube.com/watch?v=wOr3QsJpMZI

big black lincoln “pimpin’ life”
http://www.youtube.com/watch?v=Ldevid2GYpM

brassmunk “big”
http://www.youtube.com/watch?v=c_MLgFDNCyo

metric “dead disco”
http://www.youtube.com/watch?v=uRopPJDZSig

metric “the list”
http://www.youtube.com/watch?v=kEaZA2typWk

February 9, 2008

Outhouse: Milford Plaza Hotel, Could you spare a cigarette?

What is it about bumming a cigarette that makes it easier than bumming a dollar? Perhaps it’s the sense of comraderie one smoker feels with another. Two thirds of men and one fifth of women in most populated countries smoke, and for women, more and more are lighting up each year.

It can be argued that bumming a cigarette has a direct, no nonsense intent; I’m giving you this cigarette, which you’re going to smoke. I’m comforted by this. You cannot, possibly, do anything else with a cigarette besides smoke it. I’m greatful for your quick decision. You’re having a bad day; inhale, feel better. Help me quit by taking away my cigarettes. In a wonderful world where so many people have the chance to share their different perspectives on life, the german butcher can have just one thing to say to the hipster PETA activist, “Got a light?”

In an effort to stop smoking, I ceased from buying cigarettes and inevitably became the lab rat in urban social experiment. From whom and where could I bum the most cigarettes. The answer: The Milford Plaza Hotel on West 44th St.

milford_plaza_hotel.jpg

First, a quick etymological disection of the word ‘bum’. ‘Bum’ in the American language is derived, most likely, from the German verb, bummeln which means to loaf around or saunter aimlessly. But by definition, ‘bum’ means to borrow without the intention of giving back. Sure, smoking causes cancer, birth defects and blood clots among other things, but generosity I would argue, is promoted.

Tourists come from all over the world to visit Times Square, and at nearly 200 dollars a night, the Milford Plaza Hotel is one of the safest and cheapest places to stay for tourists.
And so the trap is set. The stinky cheese, or smell of stale cigarettes, dangles in the air as I ascend from the subway stop at 44th and 8th ave. I spot a women in her mid forties, surrounded by tour guide peddlers and car drivers, and I gently approach her side.

” Excuse me, Miss. Could you spare a cigarette?”

” I don’t speak English,” she says confidently.

I swipe my fingers to my lips, simulating the motion of taking a drag.

” Oh, yesss,” She responds joyfully. She takes out her pack, almost full, and offers them to me. I think about taking more than one, but swipe a single cigarette instead.

” Thank you,”I say, bowing to her in respect as I walk away.

Other days, men have given me their last cigarettes, one gave me his lighter to keep. Friends that don’t regularly smoke have told me that they light up when visiting new cities. “It gives people the impression that I’m a local or possess some sort of identity (rather than a wandering tourist).” Sure, they probably just think you’re smoking.

I kept this in the back of my mind as greeted these total strangers with a smile and a simple request. By bumming a cigarette, as a person living and working in NYC, I’m offering them in exchange, a bit of local hospitality. I’m comforting them in a city so unfamiliar.

“New Yorkers are notorious for being hardasses,” they’ll say, ” but the one I met said ‘Thank you’ when he bummed a cigarette from me.”

Although I’ve quit smoking, I still scope out possible hot spots for bumming. Exteriors of bars at night are always popular, as are the entrances of Post Production Suites during lunch time. But I’m convinced that nothing could ever compare to the generous tenants of the Milford Plaza Hotel on West 44th St.

February 2, 2008

Naming my blog: time well spent.

For those who helped me name this blog, I salute you. The race was tight. Two powerhouse suggestions, one by Andrew Adolphus the debonair editor from Canada, and the other by yours truly, slugged it out till the bitter end. It was ‘Skyeblog’, the seemingly obvious yet effective choice versus ‘Kermit the Blog’; completely nonsensical and ridiculous.

A universally despised email chain revolved throughout the day, requesting support for such underdogs like ‘Skye Hilton Sings the Blues’ and ‘Peter Cetera and Et Cetera’ from the mind of math genius and scrabble cheater, Matt Campbell. Young and old professionals throughout the United States took time out of their busy work days to decide which name was better ‘Nacho Blog’ or ‘The Frother’.

Like Chinese water torture, the painstakingly slow voting process resulted in a unbearable sense of drama that forced BBC Production Manager, Dana Boratenski, to drop her head in her hands and mumble to herself, ” Make the emails stop, make them stop!” Some suggestions were taken already (Blog Farm) while others were beyond interpretation (Skye in your Eye).

But this wasn’t a matter of which name made most sense or had the most staying power. Rather a matter of Democracy. A vote is slipped into a ballet box, tallied, and a candidate is chosen. Unfortunately, there was a tie.

There would be no recount. The emails would stop. The hysteria would cease to exist. People would sit on the subway or in their cars, listening to their I-pods (”Bringing Sexxy Back”) and the nightly news: ” Jamie Lynn Spears sees ‘Juno’ and is inspired to keep her baby” without having to worry about what my blog would actually be called. Yes, there would be a decision (finally).

It comes from the brilliant, lawyer-in-training, Whitney Hilton who knew that my love for high brow film criticism and obsession for low brow, blue collar, joie de vivre, would best be headlined with the title ” Art House to Outhouse”. Although Whitney’s brilliant title only received one vote, actually a half of a vote (’Outhouse’) from short story composer James Donovan, an executive decision had to be made. And who better to make it, than me?

Can you blame me? I mean, this is a Blog I had to be somewhat narcissistic. Right, Kim?

February 2, 2008

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